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You are here: Home / Search options / Search the catalogue / Catalogue search results / Catalogue

Catalogue

Durham Dramatic Society

Reference: D/DDS Catalogue Title: Durham Dramatic Society Area: Catalogue Category: Charity and Society Records Description: Production

Covering Dates: 1930s-1994

Access: open

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Catalogue Index

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  • Durham Dramatic Society
    • Production (Ref: D/DDS 1/2/)
    • Scripts (Ref: D/DDS 1/2/1-7,84)
    • Wardrobe (Ref: D/DDS 1/2/8-12)
    • Publicity (Ref: D/DDS 1/2/13-33,36-38)

Catalogue Description

Durham Dramatic Society

The first recorded meeting of the Amateur Dramatic Society (the Amateur was dropped later to take advantage of more favourable terms when performing plays by G.B. Shaw), was held on 15 November 1928. Membership was to be open to members of the Health Department of Shire Hall, Old Elvet and also to any gentlemen outside the department. There were thirty members of whom seventeen took acting parts. The annual subscription was 2s.6d., later raised to 5s. with travelling expenses paid from the funds. Rehearsals were held in the Nalgo Club Hut, or a room at the Garden House or in members' homes. For fifty years the booking of seats was organised through Donkins, the tobacconist in the Market Place.

In the early years there were close links with the Shire Hall music society, who provided interval music and also shared in joint productions 1934-1936. Members also took part in the Shakespearean productions of Eric Barber on behalf of the Durham House Settlement.

The Society joined the British Drama League in 1929 and competed regularly in its festivals with considerable success, reaching the National Finals in the 1950s coming second in 1955 with the production 'Ye Gods'. It was during this period that the society had over four hundred members of whom fifty took acting parts. The competitive tradition is successfully maintained by award-winning productions like 'Zoo Story' at Sedgefield Festival in 1991.

In the 1930s a variety of activities developed including the tradition of annual dinners, news bulletins, play reading circle, library (discontinued in 1931), wireless group to listen on Monday evenings to weekly talks on drama and a concert party in October 1939. The war had a decisive effect on the Society.

Initially membership was affected by call up and civil defence requirements, so the monthly social meeting was started in order to retain members. However, the Society's producer, Mrs. Margaret Marshall, was made head of the Durham Area of Voluntary Entertainment Service. This was the start of a very hectic period when plays and concerts were performed on a variety of stages, sometimes under fire and once before an unresponsive audience who turned out to be newly arrived Polish airmen who knew no English. The war years also saw the establishment of a Junior Section in 1944.

Meetings were to be held once a month, prior to the monthly meeting, and to be spent teaching the art of stagecraft. Then, when the standard was good enough they would perform short curtain-raisers before the Society's main plays. This tradition was extended in 1953 when, at the request of the County Drama Organiser, Miss D.P.W. Carr, the Society gave performances of Theatre for Children.

After the war, in 1946, the Society became a limited company. Difficulties with rehearsal and storage led to the purchase of the old British Restaurant in Back Silver Street. [This was built around 1800 and had been used as a printing works with printing machines in the basement and the first floor specially strengthened by two extra pillars in the basement so that rolls of paper could be stored]. This was used as club and rehearsal rooms but difficulties remained with productions. Initially productions were held in St. Margaret's Hall, Crossgate, then in the hall of Whinney Hill School which necessitated sets being taken down each night. From 1968 use of the Assembly Rooms restricted productions to dates outside university terms. The dream of their own theatre met with various setbacks until the proposal to alter the club rooms was accepted. The development of the theatre [see: D/DDS/1/3/106] culminated in the opening of the City Theatre by Mrs Margaret Marshall in November 1986. The first production was 'Seasons Greetings' by Alan Ayckbourn which heralded an active and successful period in the history of the society.

Catalogue Contents

Production (Ref: D/DDS 1/2/)Scripts (Ref: D/DDS 1/2/1-7,84)Ref: D/DDS 1/2/1

Copies of the lyrics of Durham Dramatic Society's pantomime choruses, n.d. [1930's?]
(1 file)

Ref: D/DDS 1/2/2

Annotated list of original compositions for two pianos and four hands published by J.W. Chester, Ltd, 11 Great Marlborough Street, London, W.1., n.d.
(1 paper)

Ref: D/DDS 1/2/3

Part of a script of "The Dun Cow: A legend of the founding of Durham Cathedral", n.d. [1940's]
(1 file)

Ref: D/DDS 1/2/4

A copy of "Pilate Wasn't Jesting" by Gwendolen Pearson, 1948
(1 booklet)

Ref: D/DDS 1/2/5

Script for Act 2 of "Bess of Hardwick" by Margaret Dixon, 1952
(1 file)

Ref: D/DDS 1/2/6

A script of "A Christmas Carol" by Charles Dickens, adapted for the stage by John C. Foster, 1978
(1 file)

Ref: D/DDS 1/2/7

Script for "The Small Beginning", a play for women in one act, by Bernard Upton, n.d.
(1 file)

Ref: D/DDS 1/2/84

Script of "Great Day", a play in three acts, by Lesley Storm, with programme of the said play attached, 13-16 June 1951
(1 booklet, printed and 1 paper, printed)

Wardrobe (Ref: D/DDS 1/2/8-12)Ref: D/DDS 1/2/8

Samples of various tissues sent by J. Burkinshaw and Sons Limited, theatrical costumiers, 28-30 Colquitt Street, Liverpool 1, to Miss J. Harle, 33 Neville Street, Durham, 10 May 1937
(1 paper and 1 swatch of tissues)

Ref: D/DDS 1/2/9

Letter to Miss J. Harle from Miss Sylvia Dodds, wardrobe mistress of the Progressive Players, Gateshead, concerning details of a costume order for "When George III Was King", 14 May 1937
(1 paper)

Ref: D/DDS 1/2/10

Letter to Miss Jennifer Harle from Miss Sylvia Dodds concerning the hire of costumes for a production of "San Marino", 7 February 1938
(1 paper)

Ref: D/DDS 1/2/11

Costume receipt book, April 1954 - 2 May 1971
(1 volume, card bound)

Ref: D/DDS 1/2/12

Wardrobe repairs for Terry Hedley and Frank Sowerby, by Marjorie Gardiner and Marion Johnson, during the production of "I Remember Mama", by John Van Druten, October 1957
(1 photograph, black and white, 16 cm x 19.5 cm)

Publicity (Ref: D/DDS 1/2/13-33,36-38)Ref: D/DDS 1/2/13

Master design for the town cryer figure used on the society's programmes, n.d.
(1 paper)

Ref: D/DDS 1/2/14

Sample design for the front of the programme used in 1970
(1 paper, 21 cm x 29.5 cm)

Ref: D/DDS 1/2/15

Poster advertising the Durham House players in the production of "Wild Decembers" [a story of the Bronte family], by Clemence Dane, 30 April - 1 May 1937
(1 card, 25 cm x 30.5 cm)

Ref: D/DDS 1/2/16

Advertisement for the production of "Wild Decembers" (A story of the Bronte family), by Clemence Dane, performed by the Durham House players in St. Margaret's Hall, Durham, 30 April and 1 May 1937
(1 card, 9 cm x 15 cm)

Ref: D/DDS 1/2/17

Card advertising the productions of "In Port", by Harold Simpson, and "Children In Uniform", by Christa Winsloe, 20 - 22 October 1938
(1 card, 9 cm x 13.5 cm)

Ref: D/DDS 1/2/18

Poster advertising the production of "Dial M For Murder", by Frederick Knott, 9 - 12 January 1985
(1 paper, 21 cm x 30 cm)

Ref: D/DDS 1/2/19

Poster advertising the production of "The Disorderly Women", by John Bowen, 19 - 23 May 1987
(1 paper, 29.5 cm x 42 cm)

Ref: D/DDS 1/2/20

Poster advertising the production of "The Circle", by W. Somerset Maugham, 29 October - 2 November 1991
(1 paper, 21 cm x 29.5 cm)

Ref: D/DDS 1/2/21

Illustrated poster for the production of "Laburnum Grove", by J.B. Priestley, 30 June - 4 July 1992
(1 paper, 21 cm x 29.5 cm)

Ref: D/DDS 1/2/22

Introduction and booking information for the production of "The Murder of Maria Marten or The Red Barn", by Brian J. Burton, October 1969
(1 paper)

Ref: D/DDS 1/2/23

Introduction and booking form for "Relatively Speaking", by Alan Ayckbourn, 2 - 4 October 1975
(1 paper)

Ref: D/DDS 1/2/24

Introduction and booking form for the production of "The Fox Trap", by John D. Foster, 27 - 30 September 1978
(1 paper)

Ref: D/DDS 1/2/25

Introduction and booking form for the production of "Sweeney Todd", by Austin Rosser based on the original by George Dibden Pitt, 3 - 6 January 1979
(1 paper)

Ref: D/DDS 1/2/26

Introduction and booking form for "The Provoked Wife", by John Vanbrugh, 4 - 7 April 1979
(1 paper)

Ref: D/DDS 1/2/27

Introduction and booking form for the production of "Wanted One Body", by Raymond Dyer, 3 - 5 January 1980
(1 paper)

Ref: D/DDS 1/2/28

Introduction and booking form for the production of "Jenny", by Tom Gallacher, 29 September - 2 October 1982
(1 paper)

Ref: D/DDS 1/2/29

Introduction and booking form for "A Victorian Evening", in the Society's club rooms, Back Silver Street, 17 December 1982
(1 paper)

Ref: D/DDS 1/2/30

Introduction and booking form for the production of "Wishing Well Inn", by E. Eynon Evans, 5 - 8 January 1983
(1 paper)

Ref: D/DDS 1/2/31

Introduction and booking form for the production of, 'Dial M. For Murder" by Frederick Knott, October 1984 Also: an appreciation by Margaret Marshall of the former stage manager, Laurence Hutchinson at the time of his death; an update on the progress of the City Theatre project
(2 papers)

Ref: D/DDS 1/2/32

Booking form for the Golden Jubilee Dinner in the Three Tuns Hotel, 6 October 1979
(1 paper)

Ref: D/DDS 1/2/33

Booking form for the Annual Dinner, 11 May 1979
(1 paper)

Ref: D/DDS 1/2/36

Poster advertising the production of "The Day They Kidnapped The Pope", by João Bethencourt, 14 - 18 September 1993
(1 paper, 30 cm. x 21 cm.)

Ref: D/DDS 1/2/37

Poster advertising the production of "Shut your Eyes and Think of England" by John Chapman and Anthony Marriott, 26-30 April 1994

Ref: D/DDS 1/2/38

Poster advertising the production of "Separate Tables" by Terence Rattigan, 8-12 November 1994
(1 paper, 20 5 cm. x 29.5 cm.)



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