Durham Dramatic Society
Reference: D/DDS Catalogue Title: Durham Dramatic Society Area: Catalogue Category: Charity and Society Records Description: Production
Covering Dates: 1930s-1994
Access: open
Related Information
Catalogue Index
Use and to reveal/hide the structure of the catalogue index (requires Javascript to be enabled in your internet browser options). Click to jump directly to information at a specific level of the catalogue.
- Durham Dramatic Society
Catalogue Description
Durham Dramatic SocietyThe first recorded meeting of the Amateur Dramatic Society (the Amateur was dropped later to take advantage of more favourable terms when performing plays by G.B. Shaw), was held on 15 November 1928. Membership was to be open to members of the Health Department of Shire Hall, Old Elvet and also to any gentlemen outside the department. There were thirty members of whom seventeen took acting parts. The annual subscription was 2s.6d., later raised to 5s. with travelling expenses paid from the funds. Rehearsals were held in the Nalgo Club Hut, or a room at the Garden House or in members' homes. For fifty years the booking of seats was organised through Donkins, the tobacconist in the Market Place.
In the early years there were close links with the Shire Hall music society, who provided interval music and also shared in joint productions 1934-1936. Members also took part in the Shakespearean productions of Eric Barber on behalf of the Durham House Settlement.
The Society joined the British Drama League in 1929 and competed regularly in its festivals with considerable success, reaching the National Finals in the 1950s coming second in 1955 with the production 'Ye Gods'. It was during this period that the society had over four hundred members of whom fifty took acting parts. The competitive tradition is successfully maintained by award-winning productions like 'Zoo Story' at Sedgefield Festival in 1991.
In the 1930s a variety of activities developed including the tradition of annual dinners, news bulletins, play reading circle, library (discontinued in 1931), wireless group to listen on Monday evenings to weekly talks on drama and a concert party in October 1939. The war had a decisive effect on the Society.
Initially membership was affected by call up and civil defence requirements, so the monthly social meeting was started in order to retain members. However, the Society's producer, Mrs. Margaret Marshall, was made head of the Durham Area of Voluntary Entertainment Service. This was the start of a very hectic period when plays and concerts were performed on a variety of stages, sometimes under fire and once before an unresponsive audience who turned out to be newly arrived Polish airmen who knew no English. The war years also saw the establishment of a Junior Section in 1944.
Meetings were to be held once a month, prior to the monthly meeting, and to be spent teaching the art of stagecraft. Then, when the standard was good enough they would perform short curtain-raisers before the Society's main plays. This tradition was extended in 1953 when, at the request of the County Drama Organiser, Miss D.P.W. Carr, the Society gave performances of Theatre for Children.
After the war, in 1946, the Society became a limited company. Difficulties with rehearsal and storage led to the purchase of the old British Restaurant in Back Silver Street. [This was built around 1800 and had been used as a printing works with printing machines in the basement and the first floor specially strengthened by two extra pillars in the basement so that rolls of paper could be stored]. This was used as club and rehearsal rooms but difficulties remained with productions. Initially productions were held in St. Margaret's Hall, Crossgate, then in the hall of Whinney Hill School which necessitated sets being taken down each night. From 1968 use of the Assembly Rooms restricted productions to dates outside university terms. The dream of their own theatre met with various setbacks until the proposal to alter the club rooms was accepted. The development of the theatre [see: D/DDS/1/3/106] culminated in the opening of the City Theatre by Mrs Margaret Marshall in November 1986. The first production was 'Seasons Greetings' by Alan Ayckbourn which heralded an active and successful period in the history of the society.
Catalogue Contents
Production (Ref: D/DDS 1/2/)Scripts (Ref: D/DDS 1/2/1-7,84)Ref: D/DDS 1/2/1
Copies of the lyrics of Durham Dramatic Society's pantomime choruses, n.d. [1930's?]
(1 file)
Ref: D/DDS 1/2/2Annotated list of original compositions for two pianos and four hands published by J.W. Chester, Ltd, 11 Great Marlborough Street, London, W.1., n.d.
(1 paper)
Ref: D/DDS 1/2/3Part of a script of "The Dun Cow: A legend of the founding of Durham Cathedral", n.d. [1940's]
(1 file)
Ref: D/DDS 1/2/4A copy of "Pilate Wasn't Jesting" by Gwendolen Pearson, 1948
(1 booklet)
Ref: D/DDS 1/2/5Script for Act 2 of "Bess of Hardwick" by Margaret Dixon, 1952
(1 file)
Ref: D/DDS 1/2/6A script of "A Christmas Carol" by Charles Dickens, adapted for the stage by John C. Foster, 1978
(1 file)
Ref: D/DDS 1/2/7Script for "The Small Beginning", a play for women in one act, by Bernard Upton, n.d.
(1 file)
Ref: D/DDS 1/2/84Script of "Great Day", a play in three acts, by Lesley Storm, with programme of the said play attached, 13-16 June 1951
(1 booklet, printed and 1 paper, printed)
Wardrobe (Ref: D/DDS 1/2/8-12)Ref: D/DDS 1/2/8Samples of various tissues sent by J. Burkinshaw and Sons Limited, theatrical costumiers, 28-30 Colquitt Street, Liverpool 1, to Miss J. Harle, 33 Neville Street, Durham, 10 May 1937
(1 paper and 1 swatch of tissues)
Ref: D/DDS 1/2/9Letter to Miss J. Harle from Miss Sylvia Dodds, wardrobe mistress of the Progressive Players, Gateshead, concerning details of a costume order for "When George III Was King", 14 May 1937
(1 paper)
Ref: D/DDS 1/2/10Letter to Miss Jennifer Harle from Miss Sylvia Dodds concerning the hire of costumes for a production of "San Marino", 7 February 1938
(1 paper)
Ref: D/DDS 1/2/11Costume receipt book, April 1954 - 2 May 1971
(1 volume, card bound)
Ref: D/DDS 1/2/12Wardrobe repairs for Terry Hedley and Frank Sowerby, by Marjorie Gardiner and Marion Johnson, during the production of "I Remember Mama", by John Van Druten, October 1957
(1 photograph, black and white, 16 cm x 19.5 cm)
Publicity (Ref: D/DDS 1/2/13-33,36-38)Ref: D/DDS 1/2/13Master design for the town cryer figure used on the society's programmes, n.d.
(1 paper)
Ref: D/DDS 1/2/14Sample design for the front of the programme used in 1970
(1 paper, 21 cm x 29.5 cm)
Ref: D/DDS 1/2/15Poster advertising the Durham House players in the production of "Wild Decembers" [a story of the Bronte family], by Clemence Dane, 30 April - 1 May 1937
(1 card, 25 cm x 30.5 cm)
Ref: D/DDS 1/2/16Advertisement for the production of "Wild Decembers" (A story of the Bronte family), by Clemence Dane, performed by the Durham House players in St. Margaret's Hall, Durham, 30 April and 1 May 1937
(1 card, 9 cm x 15 cm)
Ref: D/DDS 1/2/17Card advertising the productions of "In Port", by Harold Simpson, and "Children In Uniform", by Christa Winsloe, 20 - 22 October 1938
(1 card, 9 cm x 13.5 cm)
Ref: D/DDS 1/2/18Poster advertising the production of "Dial M For Murder", by Frederick Knott, 9 - 12 January 1985
(1 paper, 21 cm x 30 cm)
Ref: D/DDS 1/2/19Poster advertising the production of "The Disorderly Women", by John Bowen, 19 - 23 May 1987
(1 paper, 29.5 cm x 42 cm)
Ref: D/DDS 1/2/20Poster advertising the production of "The Circle", by W. Somerset Maugham, 29 October - 2 November 1991
(1 paper, 21 cm x 29.5 cm)
Ref: D/DDS 1/2/21Illustrated poster for the production of "Laburnum Grove", by J.B. Priestley, 30 June - 4 July 1992
(1 paper, 21 cm x 29.5 cm)
Ref: D/DDS 1/2/22Introduction and booking information for the production of "The Murder of Maria Marten or The Red Barn", by Brian J. Burton, October 1969
(1 paper)
Ref: D/DDS 1/2/23Introduction and booking form for "Relatively Speaking", by Alan Ayckbourn, 2 - 4 October 1975
(1 paper)
Ref: D/DDS 1/2/24Introduction and booking form for the production of "The Fox Trap", by John D. Foster, 27 - 30 September 1978
(1 paper)
Ref: D/DDS 1/2/25Introduction and booking form for the production of "Sweeney Todd", by Austin Rosser based on the original by George Dibden Pitt, 3 - 6 January 1979
(1 paper)
Ref: D/DDS 1/2/26Introduction and booking form for "The Provoked Wife", by John Vanbrugh, 4 - 7 April 1979
(1 paper)
Ref: D/DDS 1/2/27Introduction and booking form for the production of "Wanted One Body", by Raymond Dyer, 3 - 5 January 1980
(1 paper)
Ref: D/DDS 1/2/28Introduction and booking form for the production of "Jenny", by Tom Gallacher, 29 September - 2 October 1982
(1 paper)
Ref: D/DDS 1/2/29Introduction and booking form for "A Victorian Evening", in the Society's club rooms, Back Silver Street, 17 December 1982
(1 paper)
Ref: D/DDS 1/2/30Introduction and booking form for the production of "Wishing Well Inn", by E. Eynon Evans, 5 - 8 January 1983
(1 paper)
Ref: D/DDS 1/2/31Introduction and booking form for the production of, 'Dial M. For Murder" by Frederick Knott, October 1984
Also: an appreciation by Margaret Marshall of the former stage manager, Laurence Hutchinson at the time of his death; an update on the progress of the City Theatre project
(2 papers)
Ref: D/DDS 1/2/32Booking form for the Golden Jubilee Dinner in the Three Tuns Hotel, 6 October 1979
(1 paper)
Ref: D/DDS 1/2/33Booking form for the Annual Dinner, 11 May 1979
(1 paper)
Ref: D/DDS 1/2/36Poster advertising the production of "The Day They Kidnapped The Pope", by João Bethencourt, 14 - 18 September 1993
(1 paper, 30 cm. x 21 cm.)
Ref: D/DDS 1/2/37Poster advertising the production of "Shut your Eyes and Think of England" by John Chapman and Anthony Marriott, 26-30 April 1994
Ref: D/DDS 1/2/38Poster advertising the production of "Separate Tables" by Terence Rattigan, 8-12 November 1994
(1 paper, 20 5 cm. x 29.5 cm.)